Five A.M. in the
Pinewoods
I'd seen
their hoofprints in the deep
needles and knew
they ended the long night
their hoofprints in the deep
needles and knew
they ended the long night
under the pines, walking
like two mute
and beautiful women toward
the deeper woods, so I
like two mute
and beautiful women toward
the deeper woods, so I
got up in the dark and
went there. They came
slowly down the hill
and looked at me sitting under
went there. They came
slowly down the hill
and looked at me sitting under
the blue trees, shyly
they stepped
closer and stared
from under their thick lashes and even
they stepped
closer and stared
from under their thick lashes and even
nibbled some damp
tassels of weeds. This
is not a poem about a dream,
though it could be.
tassels of weeds. This
is not a poem about a dream,
though it could be.
This is a poem about the
world
that is ours, or could be.
Finally
one of them — I swear it! —
that is ours, or could be.
Finally
one of them — I swear it! —
would have come to my arms.
But the other
stamped sharp hoof in the
pine needles like
But the other
stamped sharp hoof in the
pine needles like
the tap of sanity,
and they went off together through
the trees. When I woke
I was alone,
and they went off together through
the trees. When I woke
I was alone,
I was thinking:
so this is how you swim inward,
so this is how you flow outward,
so this is how you pray.
so this is how you swim inward,
so this is how you flow outward,
so this is how you pray.
~ Mary Oliver ~
(House of
Light)
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